
The original story by Jeff Arch is dangerously similar to dozens of old pictures in which children convince divorced parents to re-unite or steer a widowed parent in the direction of a new mate. Ephron's Sleepless spells out the unconscious fantasy that links its main characters with the audience at large: "You don't want to be in love, you want to be in love in a movie."
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How to rekindle a 1940's romance movie vibe for modern filmgoers? Remind them that some of their strongest movie experiences were spent watching shows like Miracle in the Rain, Now, Voyager and Penny Serenade. Sleepless channels and reconfigures the delirious Love-Is-Magic fantasy of 1957's An Affair to Remember, and then proceeds to analyze the entire Kleenex Matinee genre.

The movie's basic mission is to apply the reflexive self-awareness of movie lore - a focus that was central to the film-school generation a couple of decades before - in service of the Chick Flick. Ephron's second directed film Sleepless in Seattle became a major hit. Just four years ago she made one of her best, Julia & Julia.īack in 1993 Ms. Ephron began by writing the dead serious Silkwood and advanced to the surprise hit When Harry Met Sally., a romantic comedy with a facility for fresh, spicy dialogue. Her film career bloomed after some very solid accomplishments in journalism, and the movies she wrote and directed were uncommonly witty and civilized. Nora Ephron died almost exactly a year ago today.


Written by Jeff Arch, Nora Ephron, David S. Starring Tom Hanks, Meg Ryan, Ross Malinger, Bill Pullman, Rosie O'Donnell, Rita Wilson, Victor Garber, Carey Lowell, David Hyde Pierce, Frances Conroy, Caroline Aaron, Tom McGowan, Rob Reiner, Barbara Garrick. Street Date J/ available through Screen Archives Entertainment / 29.95
